As humans are the only animals that clothe themselves artificially, clothing has been the object of much religious and moral reflection in different cultures around the world. Textile analogies and clothing metaphors crop up frequently throughout Kierkegaard’s authorship, both the signed and the pseudonymous writings, sometimes as image, other times as metaphor or analogy. However, this article confines itself to considering the motifs of clothes and nakedness very specifically in Kierkegaard’s Upbuilding Discourses in Various Spirits. The evocation of the single individual in the book’s front matter already hints at a biblically-rooted, clothes-related image that recurs in the volume: Adamic nakedness, or the primordial, preclothed human being. As the present article demonstrates, this image connects with a complex semantics of clothing that runs through the discourses, entailing three other main images from the Bible: King Solomon in his purple robes, the even more splendidly clothed lilies of the fields, and the practically naked crucified Jesus — with the additional biblical figures of Job and the victim from the Good Samaritan story becoming pertinent as well.
Title
Clothes mocketh the man: Kierkegaard, the Bible, and the aesthetics of attire
Ziolkowski, E. J. (2019) "Clothes mocketh the man: Kierkegaard, the Bible, and the aesthetics of attire." Researcher. European Journal of Humanities & Social Sciences 2 (2): 87–112.