[rm0001] [1904-1905 War Commemoration]

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East Asia Image Collection

The East Asia Image Collection (EAIC) is an open-access archive of digitized photographs, negatives, postcards, rare books and slides under the general editorship of Paul D. Barclay, Professor of History at Lafayette College, in partnership with staff at Digital Scholarship Services and Special Collections & College Archives. The partnership was established under the direction of Eric Luhrs, former Director of Digital Scholarship Services, and has included several contributors over the years. Many of the items digitized for the EAIC are catalogued in Special Collections; visit the Asian Collections Finding Aids for more information. The EAIC documents the history of imperial Japan (1868-1945), its Asian empire (1895-1945) and occupied Japan (1947-52). Images of Taiwan 台湾, Japan 日本, China 中国, Korea 朝鮮, Manchuria 満洲国, and Indonesia are included. The Collection is built around a core of visual materials donated to Skillman Library Special Collections by the family of Gerald and Rella Warner. Images unique to this collection include the Warners’ unpublished slides and negatives , made from snapshots taken during their years of US State Department service in Asia (1932-1952). Rare materials include prewar picture postcards, high-quality commercial prints, and colonial era picture books. Each record in the East Asia Image Collection has been assigned subject headings, hyper-linked metadata, and, to the fullest extent possible, historiographical, bibliographical and technical data.

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Richard Mammana Japanese Empire Postcard Collection

The first 150 postcards of this collection are official portraits, political cartoons, caricatures, and editorials about the Russo-Japanese War (1904-1905). The Japanese cards exhibit bold design elements and extol military heroism. The Western cards illustrate fears of the "Yellow Peril," and varied appraisals of Japan as the newest member of the imperialist club. The next 100 cards illustrate, narrate and document Japan's occupation and invasion of China from 1931 through 1945, including cards about the international diplomatic environment. Over 100 examples of cartoon postcards of Japanese military life, colonial rule, and warfare from the 1930s and 1940s comprise the next set. The remaining 250 cards provide a wide array of patriotic themes and visions of idealized life on the homefront and in occupied territories. These include military songs and posters to commemorate important dates and years on the wartime ritual calendar. 127 postcards from this last section are from the collection Aikoku hyakunin isshu (愛国百人一首). These items retrofit wartime patriotic slogans into visual and poetic idioms from Japan's classical literary heritage. These 600 postcards were generously donated by Richard Mammana.

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